Long perceived as a recluse who wrote purely in isolation, Emily Dickinson in reality maintained many dynamic correspondences throughout her lifetime and specifically sought out dialogues on her poetry. These correspondences"”both professional and private"”reveal a poet keenly aware of the interdependent relationship between poet and reader.

Behind many of the apparently simple stories of Robert Frost's poems are unexpected questions and mysteries. In this lesson, students analyze what speakers include or omit from their narrative accounts, make inferences about speakers' motivations, and find evidence for their inferences in the words of the poem.

Ever need help explaining poetry to your class? This Nearpod does a great job of explaining poetry in kid friendly language. It is interactive, and helps the students apply what they are learning with pointed and timely questions.

Students in K-5 enjoy this lesson during their "Library Time" every year during the month of April, which is National Poetry Month.

Whether you're sharing a stanza from your favorite poet or publishing your original prose for the world to read, Adobe Express will serve as your creative guide. Create captivating graphics that are just as beautiful as your poem. Explore poetry templates that you can customize to perfection. Then, resize as needed to share on any social platforms or printed format. It's as easy as choosing a template, customizing, and sharing.

Poets achieve popular acclaim only when they express clear and widely shared emotions with a forceful, distinctive, and memorable voice. But what is meant by voice in poetry, and what qualities have made the voice of Langston Hughes a favorite for so many people?

This lesson plan is the ninth in the "Incredible Bridges: Poets Creating Community" series. It provides a video recording of the poet, Joy Harjo, reading the poem "Remember." The companion lesson contains a sequence of activities for use with secondary students before, during, and after reading to help them enter and experience the poem.

Studying Robert Frost's "Mending Wall," students explore the intricate relationship between a poem's form and its content.

Sor Juana Inés de la Cruz, la primer gran poeta de América Latina, es considerada una de la figuras literarias más importantes del continente americano y una de las primeras feministas. En el siglo XVII, defendió su derecho a la educación, proponiendo la mayor participación de las mujeres en la cultura y la pedagogía en una sociedad dominada por los hombres.

Sor Juana Ines de la Cruz, the first great Latin American poet, is still considered one of the most important literary figures of the American Hemisphere, and one of the first feminist writers. In the 1600s, she defended her right to be an intellectual, suggesting that women should be educated and educators and accusing men of being the cause of the very ills they blamed on women.

Some of the most the most essential works of literature in the world are examples of epic poetry, such as The Odyssey and Paradise Lost. This lesson introduces students to the epic poem form and to its roots in oral tradition.

A selection of poems, arranged by theme, with a list of poetic terms.

This lesson plan is the eighth in the "Incredible Bridges: Poets Creating Community" series.It provides a video recording of the poet, Richard Blanco, reading the poem "Translation for Mama." The companion lesson contains a sequence of activities for use with secondary students before, during, and after reading to help them enter and experience the poem.

Each of these twenty-one poems or poetic forms for AP Literature and Composition includes a link to the poem and multimedia resources such as EDSITEment lessons and EDSITEment-reviewed websites that discuss the poem, the poet, and its context.

For each of the twenty-one poems or poetic forms for AP Literature and Composition, students and teachers will find a link to the poem and additional multimedia resources. These include EDSITEment lessons as well as EDSITEment-reviewed websites that discuss the poem, the poet, and its context.

Clues to Walt Whitman's effort to create a new and distinctly American form of verse may be found in his Notebooks, now available online from the American Memory Collection.  In an entry to be examined in this lesson, Whitman indicated that he wanted his poetry to explore important ideas of a universal scope (as in the European tradition), but in authentic American situations and settings using specific details with direct appeal to the senses.

In this lesson, students explore the historical context of  Walt Whitman's concept of "democratic poetry" by reading  his poetry and prose and by examining daguerreotypes taken circa 1850.  Next, students will compare the poetic concepts and techniques behind Whitman's "I Hear America Singing" and Langston Hughes' "Let America Be America Again," and have an opportunity to apply similar concepts and techniques in creating a poem from their own experience.

Since 1995, Rhode Islanders have come together each February to read and celebrate the life of one of America's finest poets and writers, Langston Hughes (1902-1967). Made possible through a grant from the Rhode Island Council for the Humanities, an independent state affiliate of the National Endowment for the Humanities, the annual Langston Hughes Poetry Reading is a shining example of what public humanities can pass on to communities far and wide. In addition to videos of readings given by participants at the annual event, this page includes resources and related materials for teaching about Langston Hughes.

Explore the traditions and conventions of haiku and compare this classic form of Japanese poetry to a related genre of Japanese visual art.