Less can often be more—especially as students explore the theme of a work of literature through analytical writing. Writing haiku offers a student in the final draft stages of a paper an innovative way to determine if the paper says what he/she means it to say. Students can “lose their way” when writing analytical papers, resulting in wordy, tangled papers with the thesis obscured. To alleviate this problem, students create haiku that, in seventeen syllables, encapsulate the heart of the paper. Because of its brevity, haiku promotes clarity of thought. It further challenges students to work on focused revision.

In this lesson, students explore how writers use sensory imagery as a literary device to make text more meaningful for the reader. They begin by using all of their senses to describe known objects such as pasta, chocolate, or grapes. Students first feel and listen to the object, in a bag, before then taking it out of the bag to look at, smell, and taste it. They then use at least three senses to write a poem about the object they've described. Next, they evaluate how this literary device functions in Pat Mora's poem “Echoes.” As students read this poem, they look for sensory images and write an explanation of how these images contribute to the meaning of Mora's poem. Finally, students think about how sensory images work in their own poems and then make appropriate revisions to their work.

In this lesson, students are introduced to Cubist and Precisionist painting, and they explore how the poetry of William Carlos Williams adapts similar artistic strategies. Students learn how to analyze a painting, create Cubist- and Precisionist-inspired drawings in response to Williams's poetry, and write an essay comparing Williams's poem “The Great Figure” to Charles Demuth's ekphrastic response to that poem in his painting The Figure 5 in Gold.

This lesson helps students explore the aesthetics of poetry and music by developing their own criteria. Students begin by examining what makes a good song. They then read criteria for what makes a good poem and examine two examples of ars poetica. Next, they read about the different aesthetic elements for poetry. Finally, students develop their own aesthetic criteria by which to judge poetry by finding poems that they like, designing an aesthetic crietera they can use to evaluate future poems, and then defending their own judgment.

Well known for addressing social issues in the world through her poetry, Maya Angelou's moving poems serve to teach historical topics in this lesson. To understand the world that surrounded her, students practice their visual literacy skills as they first examine photographs from the Library of Congress. These primary sources illustrate some of the events that affected her life and thus her writing. Next students research these events in order to create trading cards using the ReadWriteThink Trading Card Creator Student Interactive. While reading Angelou's poems, students share the trading cards to better understand the background for her writing.

Through haiku, students learn to slow down and become mindful of their natural surroundings, enabling them to capture experiences vividly through description. In this unit, students read and listen to examples of haiku, and learn about the history and structure behind this Japanese poetic form. They engage in both outdoor and classroom activities that encourage mindfulness and the exploration of sensory imagery. After writing, illustrating, and pairing their haiku with instrumental music, students collaborate with classmates in creating movements to their poems. The final project is a student compilation of choreographed haiku performances put to movement and music.

The onset of winter weather varies from year to year and from place to place, but December 21, the winter solstice, is considered the first official day of winter.

On this day in 1961, Robert Frost recited a poem he had written for the inauguration of President John F. Kennedy. Frost was 86 years old.

As a person who loves poetry and believes that there is a poem out there for each of us when we need it, I want students to find poems they enjoy. I also know that reading poems thoughtfully can help them expand their world views whether they enjoy them or not.

On a chilly evening in London during October 1816, two young men stayed up through the entire night poring over a newly published book.